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    The brush strokes in the background, especially the color...

    Art Critique Debate! (Not Drawing Competition)

    I thank Faust for his swift post. My next post is one of my favorites, not only because its symbolism is transcendental, but also because critics have made clear how making it was as hard as making the Mona Lisa. It is a painting made by Edvard Munch, and while almost all of you know about his The Scream of Nature[1], the painting that I am presenting is titled: Puberty. Edvard Munch gave birth to expressionism, so really the above art of my opponent is only a copyof Munch's original style. At the same time as Sigmund Freud, the Norweign artist was also delving into human psyche. The Puberty is the best representation of the conclusions of Munch's experiments.[2] So what does this picture show in terms of ability of painting? Only an expert artist can appreciate the detail of the collar bone. This, being done without a model is truly something spectacular. The brush strokes in the background, especially the color strokes in the girl's bosom should be considered. They are not long easy strokes, rather extremely short strokes of the same color with different layers. As we move up from the bosom, the face feels a tinge of color so evident of Munch's work. Instead of making life easier by using abstraction as Dali did, Munch worked hard to create this effect. Another effect of beautiful strokes is the small, nearly invisible imprint of a lantern like structure behind the girl. To the left of it there is a shadow made, behind the color. To be able to contrast the smaller shadow, and those outlines together behind color would take immense patience and practice. Munch got neither.[3] Now for the interpretation of the painting. To be honest one could write a book, and still it would be lacking. The girl is displayed as having just realized her own adolescence, she is shown shyly covering her genitalia with a perplexed look on her face. In contrast both her nipples are being shown which means that she is yet unsure of her womanhood. The picture is the perfect description of despair. At once there is fair, and ambition; curiosity, and shame, yes even guilt. The large shadow behind her, you will note is connected in color to the shadow on her thigh, which her hands have cast to hide her genitalia. This shadow is infant her genitalia which looms over behind her, the more she hides it, the more she represses it the more it is growing as it is spreading. You will see a distinct yellow line in attempt to make a border, a wall over the shadow, but note how that line does not cover it. This painting shows the constant struggle of every person, whether adolescent or not. The war of those two gods: Eros (or Erotica) and Thanathos (or Death). So for the very stroke and the technique, for the embodiment of emotion, and for the utter brilliance of the painting I do not feel that this painting can be beat. Link to profile:http://www.debate.org... [1]http://en.wikipedia.org... [2]https://www.msu.edu... [3]Ibid